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Piece from a statue of a standing man with toga (draped) - left calf and traditional soft (red) shoe (mulleus) of a magistrate

Frammento di statua maschile stante con toga (panneggio e stinco sinistro con calzare o mulleus)

Type:

Sculpture

Year:

From the Augustan Era: 2 BC

Material and technique:

Luna marble

Inventory:

FA 4746

From the porticoes in the Forum of Augustus

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Piece from a statue of standing man (draped) - right foot wearing traditional soft (red) shoe (mulleus) of a magistrate

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Piece from a statue of a standing man with toga (draped) - left calf and traditional soft (red) shoe (mulleus) of a magistrate

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Piece from a statue of standing man with toga - right foot wearing traditional soft (red) shoe ( mulleus) of a magistrate

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Reconstruction of the order from the façade of the porticoes in the Forum of Augustus made from original pieces and resin moulds

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Statue of a man with body armour (headless)

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Piece from a male statue (headless bust) in priests robes with veiled head (velato capite)

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Piece from a male statue (left hand with handkerchief - mappula)

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Piece from a standing female statue (draped lower part of body)

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Piece from a standing male statue with toga (body draped)

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Piece from a statue of standing man (draped) - right foot wearing traditional soft (red) shoe (mulleus) of a magistrate

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Piece from a statue of a standing man with toga (draped) - left calf and traditional soft (red) shoe (mulleus) of a magistrate

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Piece from a statue of standing man with toga - right foot wearing traditional soft (red) shoe ( mulleus) of a magistrate

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Piece of a larger-than-life-size statue of a man (top of right foot with shoe or mulleus)

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Piece from a Caryatid (head with headband and capital)

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Frammento di Cariatide (busto)

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Piece from a Caryatid (plinth with feet and name of sculptor inscribed)

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Piece from a Caryatid: wrist with bracelet of three strands of pearls

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Piece from a Caryatid with forearm and scaled snake

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Piece from a Caryatid with forearm and snake

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Piece from a Caryatid with right hand and ritual plate (patera) decorated with acorns

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Piece from the group of statues of Mars and Venus

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Piece of the colossal statue of Genius Augusti (back of the left hand)

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Piece of the colossal statue of Genius Augusti (index finger of the right hand)

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Headless statue of a standing man wearing body armour

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Sculpted head reworked to portray Constantine

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The hall

Frammento di statua maschile - testa ritratto, rilavorata come Costantino (particolare).

The other halls

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Random Flickr photo tagged #microma by Musei in Comune Roma

10/10/2018 - 01:56 - via Instagram ift.tt/2Ry80Zb

Laudata sii Diversità delle creature, sirena del mondo! — Gabriele D'Annunzio Buongiorno dai #MercatiDiTraiano, lo spettacolare complesso archeologico che tutto il mondo ci invidia. • 📷 credits @mjcoen72 •
10/10/2018 - 01:56 by Musei in Comune Roma.

Dal mito al sacro. Un viaggio tra simboli, archetipi e interrogativi senza tempo. La mostra Tra mito e sacro, in corso al Museo Carlo Bilotti - Aranciera di Villa Borghese, invita a esplorare il legame profondo che unisce i miti antichi e le domande più universali dell’esistenza umana. Il potente trittico di Gandolfi ci conduce nel cuore dell’Orestiade, rievocando il dramma di Oreste, Elettra e Clitennestra: figure sospese in uno spazio irreale, tra vendetta, colpa e desiderio di redenzione. Una riflessione intensa sulle contraddizioni dell’animo umano. Con Goldfinger/Miss, Mario Ceroli reinterpreta la Venere di Botticelli: sette sagome dorate che dialogano con l’immaginario contemporaneo e interrogano il culto delle icone mediatiche. Dove finisce il mito? Dove inizia il sacro? E ancora, i templi custodiscono misteri e rivelazioni nei dipinti di Pulvirenti e Di Stasio, mentre l’Orfeo di de Chirico ci parla del desiderio profondo di ritrovare chi abbiamo amato. Un percorso che attraversa epoche, linguaggi e sensibilità, ma che continua a porre le stesse, grandi domande.

01/01/1970